Georges Didi-Huberman - Diante do Tempo

What relation does history have with time that the image imposes on us? Is making art history really making history in the sense it is commonly understood and practiced? In Diante do Tempo, Georges Didi-Huberman delves into these questions and recovers a critical archaeology of temporal models in art history. At the heart of the debate are the contributions of Aby Warburg, Walter Benjamin, and Carl Einstein, thinkers of the anachronic, who are central figures in an epistemological shift that places the image at the center of historicity and establishes a complex temporality, animated by the symptom, an operative concept that reveals the unconscious of time and representation.